Turning Japanese with the amazing Yayoi Kusama

This blog is about family travel around the world without leaving the UK. We do this in a bid to be less polluting and tackle climate change while at the same time keeping a global outlook. Tokyo-based Japanese artist Yayoi Kusama's work is inventive, tactile and fun - a good way to be cheered up. Words from Nicola Baird (see www.nicolabaird.com for more info about my books and blogs).

This is a 10 minute queue for All The Eternal Love I Have for the Pumpkins (2016).
I like the way there are quite a few Japanese visitors in front of me.

The astonishing art of Yayoi Kusama - born in Japan in 1929 - is on show for free at the Victoria Miro gallery on Wharf Road in Islington. You may know her work - think spots and dots - and this time expect pumpkins, hallucinations and mirrors. You might think of these combinations as a visual burst of happiness. The only snag is that you will have to queue for a long time to see her work.

Inside this artwork by Yayoi Kusama the images are so clear, but I seem to have taken
a photo of a crowd of aeroplane landing lights!

Admittedly it's amazing having a private 45 second moment with the Chandelier of Grief. I didn't know what to expect, and in the mirrored twinkling light security of the chamber I had to work hard at keeping calm. There's a definite feeling of being lost in space, or a vision of Heaven. And either of those rather imply that you're dead. But it's beautiful too, so strange how such a short time can feel so long.

I then went up the stairs and enjoyed a 30second private view of All The Eternal Love I Have for the Pumpkins - a much more cheerful piece of work. Dress for this exhibition - you'll enjoy the three mirrored chambers far more if you have colour blocked your wardrobe. I think black works best but yellow would be OK too.

There's another mirrored chamber - again 30seconds -  called Where the Lights In My Heart Go in the garden. By this time I'd got used to being locked in with the art and actually relished the sudden quiet, lit by tiny pinpricks of light and some air holes drilled into the capsule. Back outside the giant silver baubles amongst the lily pond, the Narcissus Garden, looked equally captivating.  There is one final gallery at the very top of the fabulous Victoria Miro Gallery which is filled with Kusama's so-called Infinity Nets in various colours (canvases of a base colour covered in tiny spots of another colour - check out the texture contrasts).

"I've been Kusamaed!"

The gallery is bizarrely tricky to navigate - it's not just the super steep, super long stairways - it's the lack of signage about where to go next. So staff wearing Yayoi Kusama designed spots point the way. I loved the young man who laughed when I asked about his outfit, claiming he'd been "Kusamaed".

You can also enjoy a virtual tour of Yayoi Kusama's work via Artsy which also sells her work.

According to Artsy, their "Yayoi Kusama page, has Kusama's bio, over 150 of her works, exclusive articles, and up-to-date Kusama exhibition listings. The page even includes related artist & category tags, plus suggested contemporary artists, allowing viewers to continue exploring art beyond Kusama."

Artsy has done a fascinating review of 86-year-old Yayoi Kusama claiming that if she was "a rockstar she'd be Mick Jagger". She's lived in an old people's home (a sanitarium) in Tokyo since the late 1970s but her playful spirit hasn't deserted her, even her wheelchair is covered in spots. She's been a force of nature on the New York art scene since the 1960s, but intriguingly it's only since 2015 that she's become properly well known following a year of firsts with stunning exhibitions in Scandanavia, Louisiana and Russia.

So what got me heading to her show? I was intrigued to see some mirrored balls while canoeing on the canal (at least I think that's what I saw), but it's what led me to go to Yayoi Kusama's show at the Victoria Miro gallery. Seeing art - and understanding its size is the best way to enjoy it - but if you can't make it, then a virtual tour is a good second best. And of course the more you know about the artist the more you get out of seeing the show.

Verdict: Be warned, once you've met Yayoi Kusama's work all you want to do is place spots in unexpected places - the garden roses, on pumpkins in the vegetable aisle of supermarkets or simply round the bathroom mirror. And do take a companion or a gripping book to see you through the long waits between your one-on-one private views.

• Victoria Miro gallery exhibition at 16 Wharf Road, N1 (Tuesday-Saturday 10am-6pm) ends 30 July. Nearest tube is either Angel (you can walk along the canal to reach it or take a bus towards Old Street) or Old Street.